I urge everyone to buy this book right away. It's the best damn book on Hawaii I ever read.

Rainbow Handbook Hawaii covers history, gay communities,interviews with local gays and lesbians, places to see, trivia, and photos. Also included in Rainbow Handbook Hawaii: detailed city and island maps - the same-sex marriage battle - homo bed and breakfasts - bars and clubs - eco-tours - restaurants - shops - vacation rentals - Hawaiian language glossary - and loads of gay island facts and pictures!

Matthew Link presents a unique side to Hawaii in a complete, fun, and entertaining manner. The book is very well researched, and is suitable for anyone travelling to Hawaii or has been to Hawaii and wants to relive their experiences.

Great story of what it is really like to be a harrier pilot in a war. The book goes into detail about the problems with equipment and bureacracy, the manoeuvres and strategies used to gain an advantage. This complements the descriptions of the actual air battles against the Argentinians.

History of training and tactical development of Sea Harrier aircraft. Description of preparations and training as task force sails to Falkland Islands. Graphically exposes ship-to-ship and inter-service rivalries that compromise the mission. Describes command and staff failures to understand abilities of weapons systems causing unnecessary deaths and ship losses. Makes one wonder if wars are won because losers bureaucracy was more incompetent than winners.

Wonderfully blunt first person account of the Falkland's air campaign, the Harrier jet, and air combat in general. Read along side of Admiral Sandy Woodward's "100 days" on the naval campaign, one gets contrasting views of the same events. Highly recommended for anyone interested in the Falkland's war in general or in air combat in particular.

I was introduced to this book by a fiction writing teacher to whom I'll always be grateful. It's a fresh, ingenious selection of ritual and sacred poetry from around the world, translated with irreverence and raw attitude. If you're used to the vague New Age-isms of what usually gets thought of as "ritual" and "sacred," pick this up and get a jolt--Rothenberg finds incredibly powerful language in places where it wouldn't occur to most people to look, and he's not afraid of crudeness and hilarity. Amazing stuff. A friend of mine has worn out copies of both the first edition and this one, and I don't blame her.

Back in the 1970s I discovered this book. It became my companion. Its rich poetry, its multitudes of rituals and images have inspired my batiks and paintings for the past thirty years. What variety and life!

As we begin to see this earth suffer the effects of our presence here, these poems -with roots in every continent- speak together of this planet as a sacred place. One perhaps we might still come to treat well. Read a few aloud, sit in your garden this spring and read a Navajo corn song, stir, stir ... This is well researched, carefully and lovingly translated; it should accompany any studies of native cultures worldwide.

Brunes has written a personable, informative account of traveling in the South Pacific useful to any traveler. The book tells you exactly what to expect as an independent traveler, how to find the wonderful local places to stay, and how to settle into the life style of the place. She writes in the uneffected style of a friend, rather than a travel writer, so you feel right at her elbow sharing the experience. She gives information, mood, inflection of the places and people that you won't find in a guide book. Whether your an on-the-road traveler or an arm-chair traveler, this book is a good read.

This is more than just a travel book. Ms. Brunes digs deep into the culture of the So. Pacific Islands. She does an excellent job of blending people, culture and adventure all while informing the reader of the information necessary to "get around". To stop here would be to do an injustice. Ms. Brunes.
shows fierce determination and courage, a grandmother travelling alone, with little resources but a lot of guts. She is truely an inspiration!

Evangeline Brunes takes us to lands which most of us are not privileged to travel.

As we admire her courage to travel alone to far-off places in the South Pacific, we also share vicariously in her wonderful experiences.

She is an inspiration to all women, but particularly to those with limited incomes, determination, and self-confidence. I hope she will write another book!

Somerset Maugham was a veteran of British intelligence during World War I, an experience that was to influence his views of the world in subsequent years as well as his writing. The Trembling of a Leaf is a compilation of six short stories and two sketches by Maugham, including his famous story "Rain," an ironic look at the dark consequences and of being too fixated on the object of your affections, -- which is perhaps better known by its film and theater adaptation as "Sadie Thompson." Romance, the cruel forces of reality, and a keen attention to the unforeseen color this classic anthology showcasing Somerset Maugham's literary genius.

It's great news that they'll soon be issuing a new edition of this collection. The stories are timeless and beautifully rendered. Maugham explores everything from the evils of colonialism to the rigid social expectations of turn of the century Chicago aristocrats -- and in each case he transports us to the South Pacific. He's one of the great practitioners of the short story and this collection provides us with a concise glimpse at his handiwork.

This book consists of 8 short stories, many of them playing in the South Sea Islands. After reading this book you will want to go there and enjoy the beauty of life. Beautifully written, a pure pleasure to read!

It is a shame that Jocelyn's wonderful, dreamy love letter to living in Hawaii is out of print. For starters, the dust jacket is pretty enough, but the book itself is bound in a handsome Hawaiian fabric print. Inside, colors jump off the page as homes ranging from surfers' one-room beach town digs to graceful Nuuanu mansions set you to fantasizing about living in Paradise. Chapters are divided into such themes as paniolo [cowboy] homes, mountain homes, beach homes, contemporary, plantation houses ranging in style from bare bones to elegant...the entire gamut is covered. There are delightful details and tableaux pictured everywhere, showing home dwellers' tabletop arrangements, Hawaiiana collections, hand crafted koa wood furniture, beautiful one of a kind local crafts...I could go on and on about the richness and variety of material in Under The Hula Moon. I write Hawaii guidebooks for a living and spend a lot of time in the islands, looking at the outside of peoples' homes, wondering what's going on inside. Since I'm not the type to just knock on strangers' doors to ask for a tour, Jocelyn has taken me into wonderful places I would otherwise never see.from0AAnyone who has fallen under Hawaii's spell and has ever fantasized about moving to the islands will treasure this book and spend many long hours with it in a favorite reading spot. Few books have given me the years of enjoyment that Jocelyn Fujii's has, and until some publisher has the good sense to bring it back into print, it is worth the seach to find a copy.

I am sorry that I generously gave out as many copies of this far out book without saving a single copy for myself, because now I can't find it anywhere except at my friends' homes. And they all want to keep it as a reference for their visitors from the mainland.

If you looking for something that will catch your eye, and that you can just sit down, relax, and browse ... then this is book for you! It's a great book have around for others to look at and see Hawai`i through other people's eyes. It's always great to see how many different people can find the beauty in this paradise.

This book fills a gap which has existed for a long time. There just is not much available for the traveller, resident or person with a general interest in the Aboriginal heritage of Australia's first city, as well as modern Aboriginal culture.

The first chapter is an Introduction which gives a very brief, but good overview of pre-European Aboriginal presence in the area now known as Sydney, as well as post 1788 survival and communities.

The rest of the book is arranged according to geographical areas and sites within each. Many are well and truly on the well-beaten tourist path, such as Bennelong Point, where the Opera House sits. Others are a little less known or visited, such as the Casula Powerhouse Arts Centre in western Sydney.

Each site has information about getting there, both by private vehicle and public transport, hours, admission, contact phone no, facilities, and location on the most popular Sydney street directory (Gregory's) as well as a brief description and more detailed information. Includes beautiful colour photos by Aboriginal photographer Alana Harris.

Also interspersed in the relevant places, is text relating to a wide range of significant events, people and places.

I think this book has a place in every Sydney-sider's home. It helps non_Aboriginal people to better appreciate the land and places they have come to. It would also be invaluable for any visitor, as this type of info is just not found in this detail in generalist guides books.

Illustrated with breathtaking color photographs by Alana Harris and accessibly written for non-specialist general readers by Melinda Hinkson, Aboriginal Sydney: A Guide To Important Places Of The Past And Present is an informative guide to the cultural heritage of Australia's native aboriginal population. Forty-five historic sites, and the stories behind them, are surveyed in this impressive survey which is as fascinating for the armchair traveler, as it is for on-site Australian travelers wanting to learn about and come to a more coherent understanding of Aboriginal history and its cultural legacy.

Culturegrams is a "must have" for anyone in the travel industry, avid travelers, culture buffs and amateur anthropologist. Culturegrams introduces the reader, in four pages, to the daily customs and lifestyles of 174 societies. The background, the people, custom courtesies, lifestyle, society and "for the traveler" sections are found in each four page breakdown. The two volumes set (The America's & Europe and Africa, Asia & Oceania) cover the world by and large.

High speed travel has shrunk our world and made every other culture our neighbor. Culturgrams is a needed tool for all those in the travel industry and a wonderful reference guide for all who seek to understand their neighbors better. Highly recommended.

I have this book and it is a great to introduce children of all ages to different cultures without going into too much information that may confuse them. I've used mine with my 4 and 5 year olds to study/introduce different culturesand concepts to them. It's great! I recommend it to teachers and parents.

Conrad's account of his return to Tasmania is a delightful journey in time, place and language. Tasmania's special place in history and geography is depicted in the special style that can only be invoked by the self-exile. His prose is rich with metaphor in dealing with his own life, Tasmania's physical features and the society English society imposed on it. Raised in a suburb north of the State Capital, Hobart [the world's most southern such], Conrad's childhood environment was overshadowed by the looming, capriciously moody Mount Wellington. Everything else about Tasmania was "Behind the Mountain."

Conrad is expressive about what it was like to be raised in a place that even the rest of Australia seemed to have forgotten - it was left off school maps of the Last Continent. As the site of imprisonment for the most incorrigible of Britain's transported felons, its white inhabitants later tried to erase their own history. Isolated, then, in place both globally and socially, its people clung to the only culture they could derive - the "home" that was England. Even when the rest of Australia sought ties with the Americans, Tasmania remained locked into their version of the "old country."

Conrad breaks the mould of that image. He's frank about the white's treatment of Tasmania's Aborigine population and culture. He contrasts the outlook that named and respected every mountain, stream or other physical feature of the island. The Parlemar people were rounded up in a series of paramilitary exercises, the most notorious that of the Black Line. The surviving Aborigines [some suicided from seaside cliffs] were exiled to Flinders Island and other off-shore sites to rot and die. Even their corpses were desecrated by amateur "anthropologists" keen to depict them as sub-humans, well deserving extinction. The eradication was absolute - Tasmania remains the only Australian State with no surviving indigenous population.

Conrad journeys over the island by bus and aircraft [he is unable to drive]. The jaunts confront us with bizarre naming practices the island was subjected to by white settlers. No Aborigine names were applied until the State's Hydro Commission attempted some restitution while building dams in the mountains. The attempt is simply a final instance of the paucity of knowledge of Aborigine culture. His tours take us to Port Davey, a week's walk from the nearest road end, and the distant, disreputable Macquarie Harbour. His map shows the anomaly of this extensive estuary with its entrance but 60 metres wide. It was truly the end of the world for many convicts who laboured their lives away under assault by winds originating off the South African coast.

His candor in descriptions of his life and his family is refreshing. He aspired to the exile he entered with unwarranted enthusiasm. The book opens with the conflagration of his childhood artifacts. He is later as disturbed by this sacrifice as we are while reading it. His evocative metaphors evoke the remorse to follow him as he recovers or recreates those childhood losses. The memories he solicits show a level of confusion about his own identity - at one point unable to discern whether the image in a photograph is himself or his father. Life on the Apple Isle could lead to such vague self-persona given the paucity of information about his roots. An alcoholic grandfather had simply been made to disappear by the rest of his family.

It's trite to state that any examination of one's roots can lead to disillusionment. But Conrad's return to this remote land provided an improved sense of self-identity. He returned to learn more of his natal surroundings than would have been possible had he not left. He demonstrates that all he learned during his journeys didn't require a comparison to his adopted land to be valuable. Every place he visited or researched provided new elements of his self-awareness in their own right. The book is an object lesson for anyone who has left home for other venues. Read it to learn of this faraway land, the brilliance of its re-discoverer, and perhaps some insight into your own outlook about where you are. It's a rewarding journey.

Behind the Mountain is a unique creation, more than a close, personal look at a most unusual place, Tasmania, "an appendix, an after thought" to the mainland of Australia. It is also the memoir of a brilliant, scholarly self-exile's return after twenty years and his coming-to-terms with the people and places that made him who he is.

Conrad had "escaped" from Tasmania at age twenty to attend university at Oxford and to start a new life. He had burned in the back yard all his diaries, exercise books, and "anything that might incriminate [him] by attaching an identity to [him]." He had left his home and family behind, intending never to return, believing that "Home was where you started from, not where you stayed." Twenty years older when he writes of revisiting Tasmania, he has discovered that despite his attempt to escape, "Tasmania had set the terms of [his] life. The home you cannot return to you carry off with you: it lies down the at the bottom of the world, and of the sleeping, imagining mind."

This search for identity and roots informs his travels within Tasmania and gives the book an immediacy and liveliness lacking in so many other studies of place. Tasmania, he explains, is "an offshore island off the shore of an offshore continent," its residents therefore the "victims of a twofold alienation," with nothing between them and Anarctica, the end of the world. Conrad turns his eagle eye, his thoughtful sensibility, his absolutely limitless vocabulary, and his extraordinary skills at description to the recreation of Tasmania from the air, from the water, from the farm, from the mountain, and even under the ground, all in vivid word pictures. You will travel with him, and experience the great good fortune of seeing the island through the eyes of a gifted and introspective native whose twenty-year absence has given him a perspective on life in Tasmania that enable him to communicate it with "outsiders."

Best of all, Conrad permits the reader to share his discovery that he had "placed [his] trust, mistakenly, in the myth of self-invention. You created yourself, and did so out of nothing." Instead, he finds, "we are all still pioneers, required to colonise the piece of ground which chance assigns us, to make it our own by shaping it into a small, autonomous intelligible world....[Tasmania] was the landscape inside me: the space where I spent my dreaming time....Tasmania had set the terms of my life."

This book is a collection of early documents relating to Fletcher Christian's mutiny against William Bligh in 1789 on the HMS Bounty. The editor claims to have gathered together for the first time "the relevant texts and documents" related to this famous event that has intrigued readers for 200 years. In all, ten documents whose publication dates range from 1790 to 1870 are included. The first four documents make up the body of the book and consist of a series of published statements by William Blight and responses by Edward Christian, Fletcher's brother. Fletcher Christian died on Pitcairn Island and never put his story in print. These four sections are followed by six Appendixes. The first Appendix contains a transcript of Bligh's orders and a botanical description of the breadfruit that the Bounty went to Tahiti to obtain. The remaining five Appendixes are narratives of the lives of those who stayed on the Bounty after the mutiny.

All of these early texts are preceded by a delightful and informative Introduction by the editor that relates the early lives of both Bligh and Christian and discusses their relationship leading up to the mutiny. It describes the mission of the Pandora to seek out the Bounty and bring back any mutineers they can find. Also covered is the trial and disposition of those sailors brought back from Tahiti. Lastly, the Introduction goes on to summarize the history of Bounty documentation and scholarship, from Bligh's first published account right on through the famous fictionalized Bounty trilogy by Nordhoff and Hall. The Introduction is followed by a one page listing of suggested further readings.

The first section of the book is Bligh's 1790 account of the mutiny and subsequent voyage of he and 18 crew members in the ship's 23 foot boat. He quickly recounts the details of the mutiny on the first four pages and then spends the remaining 62 pages on his heroic and epic voyage across 3,600 miles of the South Pacific that took about a month and a half. Bligh depicts himself as a dedicated leader who saved the lives of all but one crew member in this fascinating and arduous journey.

The second section of the book is the proceedings of the court martial of those brought back to face charges of mutiny, published in 1794 by Edward Christian in an attempt to exonerate his brother. This text consists of a written statement by Bligh, a series of interrogations of the Bounty crew regarding the events of the mutiny, and an Appendix by Edward. A picture of Bligh as a tyrant emerges from this testimony. It is 86 pages long and somewhat repetitive, but still an interesting document to read. The 20 page Appendix at the end of is Edward Christian's attempt to show that his brother had cause for his actions. Although he does not try to justify his brother's actions, he tries to show the state of desperation that his brother was driven to by Bligh's actions. Bligh was at sea when this was published and, when he returned home, he published in 1795 "An Answer..." to the statements of the Appendix which is included as the third section of this book. To this Edward Christian wrote and published a "Short Reply..." that is the fourth section of this book. This interchange in writing between Bligh and Edward Christian is wonderful to read because it presents both sides of the story in a very balanced and fair manner. Without having Fletcher Christian to defend his own actions, this set of documents is the next best thing we have to a fair presentation of both sides of the case.

The above documents alone would have made a wonderful and enlightening book. The editor goes on to present in the Appendixes documents that tell the story of those men who followed Fletcher Christian to Tahiti or Pitcairn Island. The first Appendix is a copy of Bligh's orders to go to Tahiti and a description of the breadfruit he was to bring to Jamaica. The second Appendix is an 1870 retelling of a journal kept by one of the sailors who was taken by the Pandora from Tahiti as a mutineer. It tells of the harsh treatment these 14 received aboard this ship and how four died when the ship sank. The next two Appendixes are accounts written by crew members of a ship that visited Pitcairn Island 19 years after the mutiny in 1808. They tell the story of the crew that landed there with Fletcher Christian and their history and families. By this time only one of the nine members of the original Bounty crew that landed on the island remained alive. The last two Appendixes are the story of one of the Tahitian women who married a Bounty crew member and the story of the last surviving crew member himself.

Altogether these various documents pieced together tell what we can know of the Bounty mutiny. They make fascinating reading, more interesting than the fictional accounts. I highly recommend this book to anyone interested in tales of the sea.

What an amazing book. Using the original source materials--Bligh's diary, the transcript of the Bounty Court Martial, Fletcher Christian's brother's defense of the mutineers, and other materials--the Editor R.D. Madison has put together a book which is impossible to put down. Indeed, the book leaves the reader wishing it were twice as long. Madison refuses to take sides in the Bligh v. Christian debate, and lets the record speak for itself. Since the record is contradictory and nobody is unbiased, the effect, in cinematic terms, is more like "Roshomon" than either of the two Bounty movies. William Bligh comes across as an incredibly brave man with an indomitable will--yet he has a tendency to whine, and worse, he stoops to securing affidavits which do not even pass the smell test. Fletcher Christian comes across as a 23-year old hothead who lets the men talk him into leading a mutiny--and can't control the situation after the mutiny. Christian petulantly refuses to have dinner with the Captain on the eve of the mutiny. Clark Gable, he clearly ain't. The moral world of the Bounty is painted entirely in shades of gray; the men of the Bounty are imperfect and all too human.

Not only is the reader treated to a great detective story, but it is a story with an absorbing and instructive sequel. The book ends with a contemporary account, first published in the 1830's, of the subsequent history of Pitcairn's Island as told by the last survivor of the Bounty, "John Adams" (an alias). Adams described a harrowing descent into mayhem and murder by the mutineers who made it to Pitcairn's Island along with their native friends. The disputes began with a dispute over--you guessed it--who would possess a native woman. Except for Adams, Fletcher Christian his gang were all killed, along with the native men. In the end, John Adams sets up a harmonious society based on Biblical principles.

I have been scratching my head for two whole weeks since finishing this book, pondering its meaning. And that is a high recommendation, indeed.